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Scene Peng   + Trailer  + Transcript

Launch Party of the Chán Special Issue at Goldsmiths CCA, London Chán Special Edition is out! Art Direction and Visual Identity for VIEVIE Art Direction and Visual Identity for VIEVIE Roundabout Traveller 环岛游者 at 2023 abC Art Bookfair, curated by In Good Company Intl. Visualising the Margin Reunion scene for The Best Dutch Book Designs Exhibiton Exhibiton Visual for Mission Accomplished: Belanciege by Hito Steyerl at BANK, Shanghai Visual Design for Trey Abdella's Solo Exhibition Almost Heaven at X Museum, Beijing English Double Happiness at Granary Square, London, commissioned by Lightvert Central Saint Martins 2020 Degree Show Identity WIP - the Drawing Machine just made a mistake Raw Ridge poignantly and soberly portrays the political migration Kármán Sequence ER-01 at the Energy Show, Het Nieuwe Instituut Not leaving the Futuro House on the roof of CSM for four days, six hours and 45 minutes Chán Magazine launches the first issue at Hoxton Books, London Tangible sound 'In Other Wor(l)ds' at Being Human Festival, London The Giant Floating Eyeball - Finance and Algorithm, at the Dutch Ministry of Finance Visualising the Margin Reunion scene for The Best Dutch Book Designs Exhibiton 'Spatial or Aquatic?' is inspired by 'Below the Surface' - the archaeological project of the North/South metro line in Amsterdam Cosmic lettering for Knopha's new LP Kwong, releasing soon I Sit on My Chair, 2019 Constructing the /snow-ing space enables research practices to be site-specific and collaborative Subjective and Objective (SNO) The linocut head of 'Deptford Ghost' Ongoing is an ongoing trading process: 50 objects were received from London, Netherlands and China The tangible cover of Raw Ridge 夹生脊, co-published by In Good Company Intl. Raw Ridge 夹生脊 poignantly and soberly portrays the political migration Café Mortel launching poster for Vogue Italia SSSA looks into symbiotic processes from the perspecive of a single snowflake to define an alternative collective practice in current icy and turbulent times The floating faces of Origins Creative Arts Festival 2018 Redefining Envy Envy's visual language Redefining Envy Envy's visual language I Sit on My Chair, 2019 'Transcript' book of the printed film 'SNO (Subjective and Objective)' The aquatint body of 'Deptford Ghost' Ongoing is an ongoing trading process: 50 objects were received from London, Netherlands and China Flyer for LIFE at Paradise (Vancouver) 馋 Chán Magazine's first issue considers the role of food aesthetically, sensorially and politically The linocut head of 'Deptford Ghost' Tangible sound 'In Other Wor(l)ds' at Being Human Festival, London Exhibition brochure for Being Human Festival, London Collaging moment before everything turns into Nathan Zhou's solo exhibition identity Subtly contextualizing Aqua Lixun Su identity in knitting culture Sharing Snowflake~Snow~Avalanche in someone's pocket Flyer for Daily Vinyl 100% Vol.2 how CSM 2020 Degree Show's overprinting identity works ‘Necessary Corrections' archives the necessary mistakes and corrections when making CSM Degree Show's Identity The Giant Floating Eyeball, a collaboration with Trang Hà and the Dutch Ministry of Finance. ‘Spatial or Aquatic?' sculptures taking a nap at Hampstead Heath, London Visual Identity and Art Direction for ortu wellness Sharing the crushed Snowflake～Snow～Avalanche In Good Company at 2023 Spring Book Fair 开春书会, hosted by JIAZAZHI Symbol 田 for Gallery Field at Jingdezhen, China Winning Work 'Which Pill Will Be the Next?' of CSM/PSA/EUROSTAR Competition English Double Happiness at Granary Square, London, commissioned by Lightvert A moving, coded identity for Not Showroom SS22, Shanghai Spatial or Printed accumulates printed seesaws over pages A folded screen print + mono print letter to the 27 Club In Good Company Intl. has produced 15 books in 2021 In Good Company at Unfold Bookfair 2021 Visual identity and Art direction for ortu 'Necessary Mistakes' archives the necessary mistakes and corrections when making CSM Degree Show's Identity Listening to the messages sent from other wor(l)ds 馋 Chán Magazine pages on the window of Hoxton Books, London Visual identity for Soft Mountains Wearable collaboration drawings, made with Julia Luckmann Constructing the /snow-ing space enables research practices to be site-specific and collaborative Look inside of Sharing Snowflake~Snow~Avalanche Poster for WBFF 2020 'Love at First Sight' is a layer-off story inspired by 蝶 by Shuji Terayama A sheet made for archiving the trading details for In Good Company at Unfold Shanghai Book Fair The 'Hi, Come & Collect' poster on the wall of CSM Graphic Communication Studio Soft Mountains Website now live Event t-shirt for Curry Stand at Root Down, Shanghai Take away some 'Boring Balls' at Nathan Zhou's solo exhibition at Tabula Rasa Gallery, Beijing