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Scene Peng (彭浩东)    + Trailer   + Transcript


‘Spatial or Aquatic?' sculptures taking a nap at Hampstead Heath, London Kármán Sequence ER-01 at the Energy Show, Het Nieuwe Instituut SSSA looks into symbiotic processes from the perspecive of a single snowflake to define an alternative collective practice in current icy and turbulent times In Good Company at 2023 Spring Book Fair 开春书会, hosted by JIAZAZHI Tangible sound 'In Other Wor(l)ds' at Being Human Festival, London The tangible cover of Raw Ridge, co-published by In Good Company Intl. U10 Encyclopedia aims to establish awareness towards activation of context with (inter)active experiences Chán Magazine launches the first issue at Hoxton Books, London Visual Design for Trey Abdella's Solo Exhibition Almost Heaven at X Museum, Beijing CSM 2020 Degree Show Identity - WIP: the Drawing Machine made a mistake how CSM 2020 Degree Show's overprinting identity works 'Transcript' book of the printed film 'SNO (Subjective and Objective)' The Giant Floating Eyeball, a collaboration with Trang Ha and the Dutch Ministry of Finance. Flyer for LIFE at Paradise (Vancouver) Symbol 田 for Gallery Field at Jingdezhen, China Winning Work 'Which Pill Will Be the Next?' of CSM/PSA/EUROSTAR Competition Sharing Snowflake~Snow~Avalanche in someone's pocket English Double Happiness at Granary Square, London, commissioned by Lightvert Raw Ridge poignantly and soberly portrays the political migration A moving, coded identity for Not Showroom SS22, Shanghai Spatial or Printed accumulates printed seesaws over pages A folded screen print + mono print letter to the 27 Club Café Mortel launching poster at Vogue Magazine Visual identity for Origins Creative Arts Festival at OXO Tower Wharf, London Sharing the crushed Snowflake～Snow～Avalanche In Good Company Intl. has produced 15 books in 2021 In Good Company at Unfold Bookfair 2021 Tangible sound 'In Other Wor(l)ds' at Being Human Festival, London Exhibition brochure for Being Human Festival, London Visual identity and Art direction for ortu 'Necessary Mistakes' archives the necessary mistakes and corrections when making CSM Degree Show's Identity Listening to the messages sent from other wor(l)ds Subjective and Objective (SNO) Visual identity and Art direction for ortu Chán Magazine pages on the window of Hoxton Books, London Visual identity for Soft Mountains Wearable collaboration drawings, made with Julia Luckmann A screen print + mono print letter to the 27 Club Ongoing is an ongoing trading process: 50 objects were received from London, Netherlands and China Daily Vinyl 100% Poster series Constructing the /snow-ing space enables research practices to be site-specific and collaborative Look inside of Sharing Snowflake~Snow~Avalanche Bilingual brochure for Trey Abdella's Solo Exhibition Almost Heaven at X Museum, Beijing Screenshot of a collective poster moment, with Nathan Zhou Poster for WBFF 2020 Poem Book '席地而坐' for Soft Mountains 'Love at First Sight' is a layer-off story inspired by 蝶 by Shuji Terayama 'Ongoing' is an on-going trading action between Scene and other people A sheet made for archiving the trading details for In Good Company at Unfold Shanghai Book Fair The 'Hi, Come & Collect' poster on the wall of CSM Graphic Communication Studio Soft Mountains Website now live Visual Identity for Gallery Field 'Spatial or Aquatic?' is inspired by 'Below the Surface' - the archaeological project of the North/South metro line in Amsterdam Event t-shirt for Curry Stand at Root Down, Shanghai Visual identity and Art direction for ortu 'Trailer' book of the printed film 'SNO (Subjective and Objective)' The head of 'Deptford Ghost' (Linocut print) 'Necessary Mistakes' archives the necessary mistakes and corrections when making CSM Degree Show's Identity Take away some 'Boring Balls' at Nathan Zhou's solo exhibition at Tabula Rasa Gallery, Beijing English Double Happiness at Granary Square, London, commissioned by Lightvert